Taiwan | 1983 | Taiwanese and Mandarin with English Subtitles | Drama | Unclassified

This seminal three-part anthology charts Taiwan's transformative Cold War-era industrialisation under the shadow of American economic influence. A towering, essential touchstone that redefined Chinese-language cinema on the global stage, the trilogy brilliantly captures the bittersweet absurdities of survival on the margins of a rapidly changing society.

In Hou's title chapter, a desperate young father dons clown makeup to become a walking billboard, wrestling with the loss of his own identity to feed his family. Tseng's Vickie's Hat follows a disillusioned salesman whose pitch for an imported Japanese pressure cooker ends in a devastating village tragedy. Finally, Wan's bitingly satirical The Taste of Apples turns a horrific traffic accident into a surreal blessing when a wealthy American naval officer crashes into a slum-dwelling labourer, plunging a destitute family into a world of pristine hospital rooms and foreign luxuries they could only previously dream of.

Produced on a shoestring budget, The Sandwich Man served as the ultimate crucible for the movement's signature aesthetic, pioneering gritty realism, long takes, and non-professional actors. Despite facing heavy censorship and fierce backlash from conservative critics who feared its raw depiction of poverty would tarnish the nation's international image, the film triumphed to define an entire cinematic generation. Decades later, its emotional resonance and formal brilliance remain as urgent, heartbreaking, and politically sharp as ever.

Presented by Sydney Opera House and Taiwan Film Festival in Australia.

Run time: 105 minutes, plus 10 min intro. Suitable for 15+.

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Bennelong Point, Sydney NSW 2000

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