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Two services that produce permanent written records of an independent theatre production.
The Critical Commission pays a working critic to write about the show with editorial freedom retained. The Show Archive builds the permanent archive page and organises production assets and photographs into a navigable, credited folder structure.
A commissioned piece of critical writing about the production.
The writer retains full editorial freedom. Payment guarantees the piece is written. It does not guarantee positive coverage.
Every commissioned piece carries a standard disclosure:
This piece was commissioned by the production. The writer retained full editorial freedom.
Productions that cannot accept the possibility of a mixed or negative review should not commission editorial work. Buy a copywriting service instead.
Standard reviews are published within 7 days of the critic seeing the show. Longer-form pieces (essays, retrospectives) run on a longer timeline.
All pieces are published on our editorial site, indexed and archived.
Schema, by piece type:
standard-review — 800–1500 words, published within 7 daysinterview-with-director (optional) — Q&A or essay formcast-conversation (optional) — two or more performers in dialoguerehearsal-dispatch (optional) — from inside the rehearsal room, with company permissiondesign-essay (optional) — set, costume, sound, or lighting, written by a criticfestival-dispatch (optional) — your show within a multi-show festival pieceseason-survey-inclusion (optional) — your show in a city-wide indie season pieceretrospective (optional) — written after the runThe permanent archive page for the production, plus organisation of production assets.
Two phases.
Phase 1 — Asset organisation (within 2 weeks of intake):
Production assets are renamed, categorised, and credited. The organised folder is returned to the production for its own ongoing use, separate from the archive page.
Phase 2 — Archive page (within 4 weeks of closing):
The permanent archive page is built and hosted indefinitely at sydneydramaturgical.com/shows/[slug].
Phase 1 — Asset organisation:
file-renaming — every production photograph renamed to schema: [show-slug]_[date]_[category]_[sequence]_[photographer].jpglast-days-of-downtown_2025-11-14_production_007_jane-doe.jpgcategorisation — folders by category: rehearsal, production, portraits, event, behind-the-scenes, marketing-sourcephotographer-credit-audit — confirmed credits, flagged images with unclear rightsrights-status-log — per-image spreadsheet recording photographer, credit required (y/n), commercial use permitted (y/n), expiry if anyorganised-folder-delivery — Google Drive or Dropbox folder owned by the production, returned in the organised state for the production's own usePhase 2 — Archive page:
Live at sydneydramaturgical.com/shows/[slug]:
production-summarydates-and-venuecast-and-creative-credits — full company including SM team, design team, technical teamproduction-photographs — two to six images, captioned, with photographer creditreview-links-and-pull-quotesaudience-response-excerpts (optional, anonymised, with permission)attendance-notes (optional) — rough figures or "sold out" / "extended"director-reflection (optional) — 200–500 wordsfuture-life-of-the-work (optional) — tour plans, restaging, related workPortfolio PDFs:
director-portfolio-pdf — credits, photos, reviews, reflectionperformer-portfolio-pdf — one per company memberdesigner-portfolio-pdf (optional) — one per designerEditorial connections (optional):
retrospective-commission — see Critical Commissionseason-survey-inclusion — if we are publishing a city survey in the run year