Critical Writing

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Production Support

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CMS Workflows

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Audience Development

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Editorial Publishing & CMS Workflows

Fellows learn structured publishing using the company's editorial templates. The training covers the full pipeline from draft to publication, with outputs that have a clear path to going live on company channels.

What you'll work with

  • Webflow CMS Collections — production archive entries, review posts, and collaborator profiles, following our documented field schema.
  • Substack workflows — long-form criticism, editorial calendars, and subscriber communications.
  • Review-field schema — the standardised structure we use to make criticism scalable and consistent across publications.

Arts Marketing & Audience Development

Fellows learn the marketing rhythm of an independent producing company: how a season is planned, sold, and reported on without a large marketing budget.

Areas covered
  • Press release drafting and media outreach.
  • Programme materials, including printed and digital assets.
  • Festival platform listings, e.g. Eventotron and Sydney Fringe systems.
  • Ticketing settlement and post-season reporting.
  • Audience-development decisions behind a season's programming.

Theatre Production Support

Fellows observe and contribute to live production work, taught against documented templates from the company's 2025 season.

What this involves
  • Rehearsal documentation — call sheets, run notes, and rehearsal photography systems.
  • Programme assembly — credits, biographies, sponsor and partner acknowledgement.
  • Image and consent release systems — performer agreements, image use, and archival permissions.
  • Festival compliance — platform requirements, insurance, and venue documentation.
  • Post-season financial settlement — profit-share distribution, expense reconciliation, and reporting.

Critical Writing & Dramaturgy Research

Fellows write under editorial supervision, on subjects drawn from the company's existing writing remit: independent productions, festival programming, and publications already in our review pipeline.

How writing is developed

  1. Brief — written brief at the start of each piece, with subject, angle, and word count.
  2. Draft — Fellow writes the first draft against the brief.
  3. Redline — supervisor returns the draft with structural and line-level notes.
  4. Revision — Fellow revises across multiple passes until publication-ready.

Published pieces appear on the company's Writing page or in partner publications.

Grant Writing & Arts Administration

Fellows are introduced to the administrative scaffolding of an Australian arts organisation: the unglamorous infrastructure that determines whether artistic work can be made at all.

What you'll learn
  • Common application structures — project narrative, budget, statistical data, and support material.
  • Partner outreach — sourcing, drafting prompts, and stakeholder management.
  • ABN, insurance, and compliance — the registration and reporting requirements for a producing entity.
  • Festival platform settlement — reconciliation against Eventotron and similar systems.
  • Budgeting and acquittal cycles — the basic income/expense/in-kind framework used in grant applications.

Learning outcomes

By the end of the Fellowship, the Fellow will have:

  • Produced at least one piece of published writing under editorial supervision, on the company's Writing page or in a partner publication.
  • Contributed to one or more live production or season-planning workflows, with their contribution documented.
  • Built fluency in the company's Webflow CMS structure for productions, reviews, and collaborators.
  • Worked through at least one administrative cycle: a grant draft, a festival platform settlement, or a press kit assembly.
  • Compiled a short portfolio of work that can be cited externally.

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[named collaborators across four productions in 2025]

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“The company’s approach reflects a serious commitment to classical texts, accessibility, and public education. It was one of the most original and powerful productions of Greek drama I have seen.”

James Collins
Senior Lecturer in Ancient Greek Language and Literature, University of Sydney

“Each Thespo production is a bold visual journey into raw emotion. They’re inventive, deliberate, and absolutely stunning.”

Ava Robinson
[Cultural Critic]

“From lighting to performance, Thespo elevates every detail with care. They’re bold, immersive, and truly unforgettable.”

Isabelle Greene
[Cultural Critic]
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Future Theatre

sydney Dramaturgical is a new theatre company that produces, critiques, and markets performance works. ITs mission is to create the conditions for moments of civic and discursive contact.
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